Thursday, February 3, 2011

Preparation for the Next Criticism

The next criticism will add another essential element to our basic writing structure: scene annotation. The importance of this art is outlined by the following, courtesy of the Dartmouth College Film Writing Department:

The Elements of Composition



Film is an incredibly complex medium. Just take a look at the credits at the end of any film. Each of the people listed there has contributed something essential to the film's production - from lighting, to sound, to wardrobe, to editing, to special effects. Because there's so much to talk about, you'll have to be selective if you want to write a good, focused essay.

If you are a novice to writing about film, take the time to familiarize yourself with the film terms listed in the attached glossary. Knowing the terms sometimes helps you to see them on the screen. You'll begin to "see" the difference between a cutaway and a jump cut, or between a dissolve and a fade. Make sure you have a working understanding of how all the major components of film - writing, acting, lighting, composition, editing, sound, and so on - work together to create what you see on the screen.


Then, when sitting down to watch a particular film, choose from among these many elements one or two that interest you. Is the editing particularly effective? Focus on that and don't struggle to take note of the lighting. Do you find the director's use of jump cuts innovative? Watch closely when these cuts occur. Perhaps the director has used jump cuts consistently whenever characters are engaged in intimate conversations. What is he trying to convey through this technique?


If you are entirely unfamiliar with a film and aren't sure what you should be looking for, ask your professor. She should be able to point you to those scenes or techniques that deserve special attention.


Annotating Shot Sequences


Whenever you prepare to write a paper, you take notes. However, when analyzing a film, you may want to take a very particular sort of notes in which you annotate a shot sequence or scene.


Annotating a scene involves labeling each shot in a sequence. For example, a scene may begin with an establishing shot, which segues into a dolly shot. The dolly shot comes to rest in a medium shot of the main character, who is looking off frame. Next comes a reverse angle subjective close-up shot, which dissolves into a montage.


Labeling each of these shots - preferably using a system of abbreviations for efficiency's sake - enables you to keep track of the complex sequence of shots. When you review your annotations, you might see a pattern of camera movement and editing decisions (or, on the other hand, some unusual variation in the pattern) that better helps you to understand 1) how the director crafted his film, and 2) why the film has a certain effect on the audience.

We will annotate three scenes during our viewing of The King's Speech. 

The opening scene, in which Prince Albert delivers a short speech to a group of union workers.

The scene in Westminster Abbey, in which the Prince, on the eve of his crowning ceremony, expresses doubt and betrayal in Logue

The climax, in which the King delivers an important address to his subjects on the eve of Britain's entrance into World War II and Hitler's inevitable attacks on London.

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